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Attack on Titan 18, by Hajime Isayama


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Attack on Titan 18, by Hajime Isayama

About the Author

With his debut series, "Attack on Titan," Hajime Isayama has enjoyed a meteoric rise from unknown to one of Japan's top comics artists.

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Product details

Series: Attack on Titan (Book 18)

Paperback: 192 pages

Publisher: Kodansha Comics (April 5, 2016)

Language: English

ISBN-10: 1632362112

ISBN-13: 978-1632362117

Product Dimensions:

5 x 0.6 x 7.5 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

46 customer reviews

Amazon Best Sellers Rank:

#91,643 in Books (See Top 100 in Books)

~4/5We’re getting real answer about Eren’s father now.We get a backstory from an observer of where his father came from and how he acted, and what happened when Eren was taken in the forest and blacked out, and then when his mother was killed. It’s a bit weirder than I expected, but it does make some sense.The group then moves forward with taking back their land, and going to Eren’s old house to see what is in the basement that his father left behind. Their march forward goes well, but it’s when they find Reiner and Bertolt and their gang of rebels that they run into real trouble. Armin has to think outside the box, but they find them, and then they’re ganged up on fast. This fight starts the cliffhanger, and I’m looking forward to seeing how it goes forward next. It’ll be bad, I’m sure.This series is good, for sure. I’m really looking forward to seeing what happens next, how the fight goes and then what they discover about Eren’s past. It’ll be good.[More of my reviews are available on my blog, Geeky Reading, to which there's a link on my profile.]

These special addition boxes with the never before released anime episodes are nice with two disclaimers. I learned about these four volumes containing anime episodes that were never released anywhere else at either a Crunchyroll or Funimation panel at C2E2 2018. After the panel we ran downstairs to the hall to find them and they were all sold out. So, finding them on Amazon is THE justification for putting up with all the other frustrations of shopping with Amazon for me. The caveat about the anime episodes in these special editions is that they are English subbed but not dubbed. The second caveat is that if you are an anime watcher, you will need to stop reading the manga several episodes BEFORE these special editions (maybe around 14 or 15) if you don't want a third season AOT spoiler!

Really enjoyed the special dust cover. Great edition to the collection. The OVA "no regrets" is awesome but unfortunately it is only the first episode. Problem being, I don't have any idea how to get the next episode. Still, great purchase for any attack on titan fan.

Great item and fast shipping.

I love the manga and the anime. This volume is good just like the rest.

purchased numerous volumes for birthday gift arrived on time and great condition

Furthered the plot & filled backstory, but was mostly setup for the next volume.

My son said that this book had a great story line. It was less action-packed in the beginning but was covered up by secrets being revealed and great backstories. When it got to the end it got really interesting and the battles were great. He loved this book!

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Download Superwomen: Gender, Power, and Representation, by Carolyn Cocca

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Superwomen: Gender, Power, and Representation, by Carolyn Cocca

Review

“Superwomen is an accessible text that can be enjoyed by both lay and expert readers. It succinctly summarizes the history and issues surrounding some of the most well-known female superheroes while having a robust bibliography and enough theoretical depth to satisfy any popular culture scholar.” - ImageTexT"Insightful, sometimes depressing or infuriating, always engaging, Superwomen is an excellent addition to the world of superhero criticism." - Fantasy Literature"Brava, Carolyn Cocca! In Superwomen, she delivers a comprehensive (and fascinating) overview of comics and pop culture women heroes, from Wonder Woman and the women of X-Men to Buffy and Princess Leia. Brava again for detailing the worst and the best treatment these characters have received in the hands of writers, artists, and film studios. And a final brava for showing how today, fans’ reaction and feedback has influenced the positive representation of their beloved women heroes." - Trina Robbins, author of Pretty in Ink, and editor of Babes in Arms"One of the greatest strengths of this work is its nesting of the portrayal of superwomen in multiple contexts to explore how and why female superheroes are portrayed. Not content with textual analysis, Cocca explores the ideology of creators, fan reception as seen through letters columns and later message boards, the effect of the movement from one medium to another on the portrayal of characters, and most significantly how the changing methods of distribution (from mass market to direct market to digital downloads and trade paperback republication) has affected who are the readers of these books, how the industry has perceived those readers, and how this has affected the portrayal of female superheroes. …This is a very important book for comic and gender studies. It will take its place beside the work of Trina Robbins and Lilian Robinson as canonical analyses of female superheroes, and will, no doubt, be the text against which future gender and superhero studies are measured." - Matthew J. Costello, Professor of Political Science, Saint Xavier University, USA"Carolyn Cocca’s timely new book uses social theory to make sense of superwomen like Wonder Woman, Batgirl, Ms. Marvel, and Buffy the Vampire Slayer. The result is an insightful study that combines close readings of specific texts with a nuanced account of comics as both business and fan culture. Anyone with an interest in feminism and comics will want to know about this book." - Kent Worcester, Professor of Political Science, Marymount Manhattan College, USA."This is the book pop culture scholarship needs now. The genre of the hyper-masculine, straight, white superhero has evolved radically since Wonder Woman first challenged it in the 1940s, and Carolyn Cocca has amassed a definitive history through the high-powered lens of intersectional feminism. Drawing from comics, television, and film, Superwomen spotlights a cast of the most influential female superheroes of the 20th and 21st centuries, revealing the power of female bodies to shape and shift cultural attitudes. Batgirl and Buffy, Princess Diana and Princess Leia, the evolutionary women of X-Men and the evolving identities of Marvel Girl, Ms. Marvel, and Captain Marvel: they all are evidence of Cocca’s persuasive argument for how greatly diversity matters." - Chris Gavaler, author of On the Origin of Superheroes, assistant professor of English, Washington and Lee University, U.S.A.“Cocca’s book is particularly effective due to the thoroughness of her data collection and the comprehensiveness of her analysis.” – The Popular Culture Studies Journal

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About the Author

Carolyn Cocca is the author of the Eisner-Award winning Superwomen: Gender, Power, and Representation, articles and book chapters about gender and superheroes, and books and articles about gender and law. She is Associate Professor in the Department of Politics, Economics, and Law at the State University of New York, College at Old Westbury, USA.

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Product details

Paperback: 288 pages

Publisher: Bloomsbury Academic; Reprint edition (September 8, 2016)

Language: English

ISBN-10: 9781501316579

ISBN-13: 978-1501316579

ASIN: 1501316575

Product Dimensions:

6 x 0.9 x 8.9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#74,873 in Books (See Top 100 in Books)

time for women to come into their own and this book points in that direction.

This book is really interesting and well-written. I thoroughly enjoyed reading it. Highly recommend.

I wasn't even into comic books before I read this. Such an interesting, unique voice that teaches the reader about the politics of superwomen. Can't wait to share with friends. Good for comic lovers and those new to the genre. Great as a gift for your feminist friend!

>"Over the last 75 years, superheroes have been portrayed most often as male, heterosexual, white, and able-bodied."Shows that she doesn't actually know what she's talking about and is just a sexist woman with her own axe to grind.

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Free Download The "God" Part of the Brain: A Scientific Interpretation of Human Spirituality and God, by Matthew Alper

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About the Author

Matthew Alper (New York City) graduated from SUNY Stonybrook with a BA in philosophy. He has worked as an electrician in England, a photographer's assistant in New York, a fifth-grade and high school history teacher in Brooklyn, a truck smuggler in Africa, a tutor in the Philippines, and a screenwriter in Germany.

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Excerpt. © Reprinted by permission. All rights reserved.

Excerpt from Chapter 1: Throwing Rocks at God"The Caterpillar and Alice looked at each other in silence for some time; at last the Caterpillar took the hookah out of its mouth, and addressed her in a languid, sleepy voice.'Who are you?' said the Caterpillar.Alice replied rather shyly, 'I-I hardly know, sir, just at present-at least I knew who I was when I got up this morning, but I think I must have been changed several times since then.'"-LEWIS CARROLLBy the time I was twenty-one, my quest for knowledge of God had taken several unexpected turns. In this time, I had searched the world's myriad religions only to find myself frustrated by a gamut of flaws and inconsistencies in all their logic. I had investigated the various paranormal phenomena only to encounter a trail of false claims and chicanery. I had experimented with the mind-altering effects of psychedelic drugs as well as transcendental meditation, only to undergo a series of distorted sense-experiences, none of which had brought me any closer to acquiring verifiable knowledge of any spiritual reality or God. As a matter of fact, if anything, they had only served to draw me farther away. This was due to the fact that while exploring the effects of LSD, I had a bad trip that led to a severe clinical depression compounded by a dissociative, depersonalization, and anxiety disorder. For a year and a half, I suffered this unfortunate state until, finally, with the aid of pharmacological drugs, I was restored to my previous, relatively healthy self.Though it may have come at a very high price, I nevertheless managed to garner some extremely valuable information from this otherwise wretched experience, information regarding the nature of my allegedly immortal human soul.According to the various belief systems (religions) I had thus far encountered, the human soul was supposed to be spiritual in nature, a fixed and permanent agent, unalterable and everlasting. Again and again, I was told that when I died, though my physical body would perish, "I"-the sum of my conscious experience, the essence of my thoughts and feelings, what was perceived as constituting my soul or spirit-would persist for all eternity. The fact, however, that my conscious self had been so drastically altered convinced me that there was no fixed or eternal essence in me.Twice in a year and a half, I had undergone two complete transformations of my so-called eternal self. First, my conscious self was transformed into something other than it previously had been by psychedelic drugs. Then, a year and a half later, my original self was restored, this time by a drug known as a monoamine oxidase inhibitor (MAOI). But I thought consciousness was supposed to be conceived in spirit-fixed, eternal, immune to the influences of physical nature. If this were true, how was it that the core of my conscious experience had been altered, twice now, by ingesting physical substances? How was it that a combination of molecules-raw matter-could affect something as allegedly ethereal as consciousness, that which was supposed to represent my immutable, transcendental soul? To believe that matter could affect one's spirit, that it could impact upon the soul, would be the equivalence, it seemed, to believing that one could throw rocks at God. If spirits or souls truly existed, it would seem they should be impervious to material influence.The fact that my conscious self-my allegedly immortal soul-was susceptible to the effects of chemical (physical) substances convinced me that human consciousness must be a physical entity governed by strictly physical processes. If this was true, then in order to gain a deeper understanding of the nature of consciousness-what I previously believed might constitute a soul-I would need to conduct an investigation into the nature of the physical sciences.Up until this point, I always had the greatest respect for the physical/natural sciences. I was always impressed by their ability to rationally explain most any phenomena as well as to lead to the creation of tools and technologies that worked to make our lives easier. Whereas in the past, however, in which I had admired the sciences, I now revered them. Science had saved my life. I was indebted to it. God didn't save me. I didn't save me. Science, the tool of reason, had saved me. I was my own living proof that science worked. And so, the same faith that many placed in a god or religion, I now placed in science. Simply, it was a paradigm which brought verifiable results. Not that I didn't have faith in science before this. Every time, for instance, I flipped a light switch, one could say I had faith the lights would go on. The difference was that, whereas in the past I had taken my faith for granted, I was now a staunch believer.As I saw it, science had resolved the riddle of the human soul. Science had proven it could come up with chemical formulas that could manipulate the contents of one's cognitions, emotions, and perceptions in almost whatever way it saw fit. It could electrically or chemically stimulate parts of one's brain in such a way that it could make one passive or aggressive, tranquil or manic, happy or sad. In essence, science could alter and manipulate one's cognitive and emotional states as if pulling the strings on a marionette.As a result, I was now convinced that the mind, which I previously believed to constitute my transcendental soul, instead represented the workings of my physical organ, the brain. There was no soul. There was no ghost in the machine. My thoughts-human consciousness-were not the manifestation of some ethereal force or will but rather the consequence of synaptic transmissions, electrical and chemical signals being registered throughout my brain, generating a host of sensations, perceptions, emotions, and cognitions in me-pure neuromechanics. Consequently, as far as I was now concerned, the riddle of the human soul had been solved. From hereon, I would interpret the origin of all perception, sensation, emotion, and cognition from a strictly neurophysiological-that is, scientific-perspective.As secure as I now was that there was no such thing as a transcendental soul, I still found myself plagued by that more essential problem of God's existence. As God supposedly constituted the embodiment of all things spiritual, not until I possessed some rational explanation through which I could resolve the problem of His existence could I be absolutely certain there was no such thing as a transcendental/spiritual reality. And as long as it was possible that God might exist, it was therefore also possible that I possessed a transcendental soul. Consequently, before I could commit to anything, I needed to resolve the greater and all-encompassing problem of God.As the physical sciences had helped me to rationally interpret the underlying nature of consciousness, I now wondered if it would be possible to apply this same tool of reason to resolve that ever-persistent problem of God. Could the physical sciences crack thatnut as well? Up until now, it hadn't come close. From biologists to astro- and quantum physicists, no one had ever advanced anything resembling a scientific interpretation of God. But why was this? Did God truly exist only beyond our grasp, beyond the range of human comprehension? Or was there a physical solution, only no one had discovered it yet?

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Product details

Paperback: 288 pages

Publisher: Sourcebooks (September 1, 2008)

Language: English

ISBN-10: 1402214529

ISBN-13: 978-1402214523

Product Dimensions:

8.2 x 0.5 x 8 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

119 customer reviews

Amazon Best Sellers Rank:

#302,271 in Books (See Top 100 in Books)

A very thoughtful, reasoned argument.It did not, however, change my believe in GOD.Laying aside all descriptions of GOD (religious texts, the Bible, Torah, etc.) the assertion that GOD, or the concept of GOD, is basically a function of evolution is logical and easily acceptable to me.If a belief in GOD is a part of the placebo effect, that's fine, too, because the placebo effect is real.If it (a faith, personal to the believer) works (according to each individual's understanding of "works") then what does it matter if it's a placebo or an actual, physical reality?For example, one might say "I was in a hopeless situation and GOD helped me recover." The scientist will say, "The fact you recovered proves the situation was not hopeless."Does it matter, as long as the recovery occurred?

I've read other books on this subject which can be either too dry or too caustic, but this one hits the mark, although I'm not sure I totally agree with Alper that neurological wiring towards religiosity negates the reality of the supernatural or divine. I'm an atheist, so I"d like to agree with him wholeheartedly, but you could also say, as I believe Chomsky said, that humans are hardwired for language in a way animals are not, yet this doesn't negate the fact that language, while culturally constructed, is a real phenomena and we are wired to receive it and acquire it quickly. I'm probably getting in over my head with my analogy, but I think it's worth considering. We humans create music, a cultural construction that is not found in the animal world, yet the phenomenon itself --- the sounds-- are a concrete reality. In fact, some deists might insist that because we are 'wired for God', so to speak, that in itself is proof of God. I wouldn't go that far; we can also be 'wired' for hallucinations and mental illness too. An interesting read and a worthwhile contemplation on a timeless subject; what makes Alper sympathetic is that he arrived to his conclusions as a result of a spiritual search, not a biased knee-jerk stance against religion, which I find a bit off-putting from folks like Hitchens (Mr. Caustic himself). And Richard Dawkins' book, "The Blind Watchmaker" is a bit abstract for me; the statistical probability discussions of evolution just went right over my simpleton head. If you are looking for a layman's take on this debate, this one is it.

I bought this book after hearing an interview with the author on Coast-to-Coast radio. I thought the interview was much better than the book. In fact, I felt the first half of the book was nothing more than a rehash of the Psych 101 class I took in college some 40+ years ago. I really didn't enjoy this book until I got to chapter 15 and the near death experiences. I felt that I could have been well served by reading only the last six chapters. Finally, I was a bit surprised the author didn't even address the possibility of intelligent design and that the gods people worship were possibly those same intelligent designers.

Very interesting perspective! I like that Matt has combined so much research into explaining why humans have such a tendency to believe in god. It's a great read and a fantastic explantion of the relious aspect of human behavior.

Alpers' reading of science is flawed on many counts, most of them inconsequential, but his drawing of generalizations is weakened by these errors. The book's major premise depend on our knowledge of impending and inevitable death being mentally devastating, and he provides little evidence of this result. That said, he weaves interesting speculations of evolved neurophysiology. His proposals in the final chapter to substitute a "religion" based on universally held moral precepts brought to rational behavioral norma are inspiring to a secular rationalist like myself, but they aren't likely to find much traction within religious establishments.

I agree also with what Matthew Alper has written and said in his many interviews. "Human beings are genetically hard wired to experience belief in spirituality and various paranormal phenomena, even though there is no scientific basis for it. According to sociobiology, there are regions in the human brain that generate these belief systems, and the brain evolved this way as a coping mechanism to deal with the knowledge of our inevitable deaths." He also said, "I believe that the anxiety [about death] was so overwhelming that it forced the selection of this cognitive modification which...compels us to believe that there's this other transcendental force...through which, even though we know the physical body will die, we now believe this spiritual component will live on forever."He wrote about studies of meditation and prayer, which show decreased blood flow in the amygdala region of the brain-- this helps to reduce anxiety and fear, which could account for the sense of spirituality. He also wrote that the parietal lobe also gets a decreased blood flow, which can affect spatial and temporal consciousness. In his research he feels many people who are hyper-religious have epilepsy.Being a Neuro-theologist Matthew has also expounded about his theory on the genetic nature of spirituality and how humans are wired to believe in a "God" and spiritual realm. As an atheist, he feels the God part of the brain evolved as a coping mechanism through natural selection-- human survival was enhanced through belief in an afterlife. For those of you who are not familiar with the meaning of `atheist' it is in a broad sense, the rejection of belief in the existence of deities, and in a narrower sense, atheism is specifically the position that there are no deities. Most inclusively, atheism is simply the absence of belief that any deities exist. Atheism is contrasted with theism, which in its most general form is the belief that at least one deity exists. He cited the work of neuroscientist VS Ramachandran who discovered a connection between temporal lobe epilepsy and religious experience. Ramachandran even found that sometimes reading religious text to epileptics could trigger a seizure in them. Another study indicated that religious figures such as the Apostle Paul and Joan of Arc suffered from temporal lobe epilepsy.The tests of Michael Persinger ,using a Transcranial Magnetic Stimulator, showed that stimulation of the temporal lobe could bring on spiritual or religious experiences. In an interview at the University of Pennsylvania, he mentioned the study of Tibetan Monks during meditation/prayer showed blood flow changes in their brains, which could account for reduced anxiety and an increased feeling of transcendence.I highly recommend this book for those who are brave enough to think "outside of the box." It is one of the books our Spiritual Study Grroup in Florida has read with great enthusiasm. There is a difference between being spiritual and being religious. Daphna Moore, Publisher, Hughes Henshaw Publications.

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Costume in Detail: 1730-1930

Product details

Paperback: 391 pages

Publisher: Quite Specific Media Group Ltd; 2nd ed. edition (September 1, 1997)

Language: English

ISBN-10: 9780896762176

ISBN-13: 978-0896762176

ASIN: 0896762173

Product Dimensions:

8.3 x 1 x 9.9 inches

Shipping Weight: 2.3 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

39 customer reviews

Amazon Best Sellers Rank:

#108,122 in Books (See Top 100 in Books)

Introduction: The author pretty much explains why she chose to focus on women clothing,where she obtained the garment and detail information and some brief thank yous.AcknowledgmentsChapters: are broken down into years.One: 1730-1800Two:1800-1835Three:1835-1870Four: 1870-1900Five: 1900-1930Appendix: This section includes 4 detailed dresses that is in the authors possessionFurther Details: Which is also the appendixCycling in the 1890's: Interesting section about womens cycling pants. BloomersBooks ConsultedIndexFor every garment you are given the description of the fabric including lining and color of thread. The author includes dimensions about the actual width and length of some of the garments details. Shoes, hats, trim, undergarments, purses, belts all included.For someone interested in historical garments, this book is at the top of the list. The author took great care to deconstruct these garments coupled with the sheer amount of years spanned in this book, it’s invaluableCons: Sometimes I could not understand the writing that was next to the garment. The garments next to the text is a bit busy as well you cannot always make out details. In other words, you really have to study the illustrations and text. For the price and information in this book. I don’t mind but I can see how someone can open this book and feel a bit overwhelmed.Men and children clothing are barely touched upon.Is it worth it? Yes. Is it a must have? Yes. Even with the cons it is an invaluable resource.

Wonderful internal sketches of various garments, plus explanation of construction details that are usually left unknown in museum photography. A must have =)

I love this book! The sketchbook appearance of the drawings is perfect if you are planning or creating your own costume or period dress. Not having the drawings in color is a bonus, as you can imagine the design in the color you choose....there are notes and discussions of fabric types and some colors used in certain time periods, but overall this is a designer's treasure. Whether you want to be 100% accurate or if you are just trying to achieve a "look" of a time this book will be helpful.

There are hundreds of costumes, with a wide assortment from every time period. They are ALL beautifully rendered with accessories, umbrellas, belts, purses, dress clips, shoes, capes, cloaks, etc. and each article of clothing or accessory comes with an explanation of materials used and how it was employed. she even gives detailed drawings of the insides of these garments and drawings of old pictures with garments in use, which includes hair styles, etc. This book, however, is more for an advanced seamstress who has the skills to make their own patterns because none are offered here. This is the most wonderful book on my collection and is well worn with notes and bookmarks already. This book focuses on women's clothing almost exclusively, but that allows it to be thorough. I can't give this book enough credit. Every costumer of this time period should have a copy!

I purchased this book because I was hoping to find some inside detail of how the clothing of earlier era's were constructed, and this book did not disappoint. I was concerned about the description that indicated that the book was comprised of 'drawings' but when I received the book I was impressed and amazed by the detail. I must admit that there are times when I am so taken by the drawing detail that the construction was overlooked! This is one of the most amazing books I own, and I it is one that I return to time and time again when I have construction questions. If I were to change one thing...I would wish for an actual photo of the item to correspond with the illustration, then it would be totally perfect!

I needed to find out the general styles for some book illustrations during the Victorian era, and this was just the ticket. There are several examples.

Wonderful book. The hand drawn sketches in this book can be a little hard to understand, but lots of detail for each garment. No photographs. Only a few regency garments discussed.

Not only have I learned an amazing amount from this book, it has truly saved me from making very costly mistakes in selling vintage clothing. I adore period costume but good research books, especially when you are just beginning...are VERY hard to find. This book offers measurements, construction details and puts smaller accessories into context. Many times I would purchase a large box of antique clothing at auction that contained smaller items which would have me baffled. Countless times I find them in her illustrations. Pretty pictures are great, but her details will truly educate you. Thank you for this great reference. I wish you would do one entirely on personal accessories.

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Costume in Detail: 1730-1930 PDF
Costume in Detail: 1730-1930 PDF
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